You knew just what you wanted
there was nothing else to find,
you say it with conviction
as if fate was tightly twined.
I would not like to ruin
a goodwill of any kind,
that is why it hurts again
to ask you to change your mind.
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You knew just what you wanted
there was nothing else to find,
you say it with conviction
as if fate was tightly twined.
I would not like to ruin
a goodwill of any kind,
that is why it hurts again
to ask you to change your mind.
Perhaps you will never acquire the taste
that will hold these words on your tongue,
to savor that savory, sweet flavor
of a phrase cooked to please your unique palate.
Perhaps you will never take in the aroma
from the specific use of speech, of lingo
and jargon, and slang, peppered and salted
into the otherwise plain paper.
Perhaps you will never take a hold of these words
with your own two hands so that you can feel
what each shape of the letter feels like
as it plays through your fingers.
Perhaps you will never hear the poetry
unless it is spoken aloud to you, and even then
its translation, its meaning, its nuance lost
in an ever-evolving language.
Perhaps you will never look upon it. Perhaps these words
get tucked away into a safe place away from your eyes
where you will never see just where
this all happens to lead.
It has to lead somewhere, but where?
Somewhere good? Somewhere bad?
The only certainty is that we can’t find out here.
Journeys seldom happen when no one takes a step.
Perhaps It would be foolish for me to hold on to
that part of my heart that rightly belongs to you.
The only thing keeping
my feet on the ground
is a persistent love
both anchored, unbound.
Unbound, and yet keeping
me floating so low
is that very same love
I’m honored to know.
Why don’t they go and play
the waltzes past midnight
while the world drifts away
to their eyelid ballet?
Could it be, mon ami,
that the strings do grow tired
while accordions weep
for the ones lost to sleep?
It’s Friday night
and everything is exactly as it seems.
There are no strained metaphors
in your words or mine,
no cliches, no similes,
no subtext, no context needed.
There’s a chill in the air
that means nothing more
than the fact that it’s a cool evening.
Even the wood crackles in the fire
with impunity.
When we don’t speak, there is a neutral silence
that overtakes the scene. When we speak again
then our voices carry through the reverberations
to each other and to no one more.
All seems well.
Everything is exactly as it seems.
Be brave.
Be resilient to the night
and its waning light.
Be bold and fight the cold
that will settle on
the stationary soul.
Be safe so far as safe allows.
And even then
be brave.
[continued]
and sometimes, when it is impossible
to sleep or to wake
it all just ends with wondering.
wondering what it is was missed
and what it is was gained
when in truth
it all happened out of sight,
out of mind,
out of heart,
out of pocket,
out of frame.
it looked like everything, felt like nothing.
we would search for something, anything
to fill the void.
but something was always missing
It was all so perfectly framed
with what limited vision
was available. They were captured.
The lighting immaculate.
Through heavy breaths and deeper sighs
they struggled for air.
Blood and teeth painted context on the floor.
I felt pity in the wreckage, serene silence
overtaking the scene
as the cheers of a countless crowd
rang in my ears.
“What’s your story?” I asked, for when the world
would see the art I could have only dreamed
of making. Pity. It could be more.
They answered two words
in unison, gurgling blood and bile
and ill-gotten conviction:
“I won,” they said.
Where do the cameras come from
that so perfectly and candidly
capture the moments of life
deemed acceptable for public consumption?
Who, or what, follows
with an itchy trigger finger
to snap the shots of spontaneous love,
of perfect symmetry, of realness
(so long as the virtuous opportunity
strikes in safe distance?)
What life does the camera film?
What eyes long to see these staged moments
in this, these fleeting moments
of a messy, real, beautiful life?
I reckon this is the part
where we say “goodbye”
and dry our eyes
and make our way
to the opposite sides
but only make it
as far as the frame
before we turn around
and run back
shamelessly
into each other’s arms.
But instead
I’ll probably end up
leaning uncomfortably
against the posts,
half turned around,
wondering why you
didn’t even bat an eye
when you shut the door
behind you.
I reckon this is the part
where we try to prove each other wrong
by proving each other right.